Posted in Film and television The Orient

Godzilla: King of the Moe-blobs?

The word “moe” is synonymous with anime girls and a “cutesy” style. But what if this way of thinking is hopelessly flawed? What else can moe look like?

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Posted in Film and television

Barbitecture, or, An Alternate Reading of Parody

Attempting to review Barbie invites the question: What does parody mean in the post-ironic era?

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Posted in Film and television The Orient

Love & Pop & End

Love & Pop is a unique piece of art because it does not present answers, it presents a world too contradictory for any such thing to exist.

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Posted in Film and television The Orient

Shin Godzilla and the Tyranny of Metaphor

It is true that Godzilla and nuclear disaster are deeply linked. But, simply applying the formula that Godzilla=nuclear weapons would pervert our thinking greatly.

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Posted in Film and television

Glass Onion: Chewing on the layers

To cut right to the chase, Glass Onion is less original than Knives Out. However, it finds some stable qualities that allow it to stand up to its predecessor.

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Posted in Film and television

Art vs entertainment: Spider-Man and Martin Scorsese

The discussion of the dichotomy between “art” and “entertainment” dates back centuries. Regardless of what one thinks of the artistic value of Marvel’s films, it bares re-examining the question of what separates “art” from “mere entertainment” in the current age.

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Posted in Film and television Literature The Orient

Another did it better? Mystery, cross-genre pollination, and crafting the perfect twist

The next time you encounter a twist in a big network TV drama, ask yourself why this school-life horror called Another did it all so much better.

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Posted in Film and television Literature The Orient

An abridged stylistic history of Japanese mystery fiction

All human stories have two eternal subjects: sex and violence. These, combined with the two primordial genres of Ancient Greek theatre, grant us a basic vocabulary with which we can categorise some of the “raw material” which makes up basic storytelling — all human societies create stories about romance, tragedy, war, comedy, and crime.

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Posted in Film and television Literature

Boogiepunk and Steampop: How aesthetic can overcome genre

Genre is such a useless framework on its own. Given that it serves as an universal intermediary between societies and their various art forms, you would expect a lot more from it. This has gotten me thinking about alternatives to conventional genre classifications and the appropriate uses for these alternatives.

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