Category: The Orient

The word “moe” is synonymous with anime girls and a “cutesy” style. But what if this way of thinking is hopelessly flawed? What else can moe look like?

Our search for the Nasu copycats means it is time to expand the conversation beyond just him. We came looking for a genre, but what does that even mean?

Fate/stay night and Kinoko Nasu feel like a whole genre on their own. But why aren’t there more Nasu copycats?

Nine book reviews to catch up on what I’ve been reading and enjoying while taking a bit of a break from blogging.

Love & Pop is a unique piece of art because it does not present answers, it presents a world too contradictory for any such thing to exist.

Tsukumojuuku by Outarou Maijou succeeds in crafting something that seems authentically confessional out of deconstruction and metatext.

It is true that Godzilla and nuclear disaster are deeply linked. But, simply applying the formula that Godzilla=nuclear weapons would pervert our thinking greatly.

To be direct about it, Our Broken World (Sekai vol. 1) is my favourite novel ever written. Here is a review.

No matter where one looks in Wonderful Everyday (Subarashiki Hibi), there is no escaping the pervasive importance of its landscapes.

Metafiction attempts to erase the existence of its author, the authority of its fictional world, who is even analogous to God. What about Umineko?