Category: The Orient
Wonderful Everyday and the landscape within
No matter where one looks in Wonderful Everyday (Subarashiki Hibi), there is no escaping the pervasive importance of its landscapes.
Fake metafiction: The Umineko review
Metafiction attempts to erase the existence of its author, the authority of its fictional world, who is even analogous to God. What about Umineko?
Who cares who killed X? You should.
Using shinhonkaku mysteries as a case study to expand on why genres matter for contemporary literature.
What Yuki Nagato and Light Yagami read
A portrait of popular Japanese literature trends leading into the early 2000s and the ascent of otakudom.
The World-wide Exploits of Kuroneko Byouinzaka
The World We Broke (Sekai 3) takes on a distinctly celebratory tone compared to the high stakes murder mysteries that preceded it. In contrast to an ordinary whodunit, it was an experience that was distinctly reminiscent of the slice of life genre.
Imperfect Girl: Alone with the past, together within a locked-room
Imperfect Girl is not a story about heroes or heroines. It has nothing but contempt for the scolding attitude of what it might call “normal” stories, of the kind where good people learn to be better people by virtue of their goodness.
Another did it better? Mystery, cross-genre pollination, and crafting the perfect twist
The next time you encounter a twist in a big network TV drama, ask yourself why this school-life horror called Another did it all so much better.
When They Cry again, parts 5 & 6
This is probably bon voyage to Umineko’s live-reviewing. After EP8 comes the more classical full reviewing. Have a nice day. See you again.
Meiro Byouinzaka’s Enclosed-World of the Constant Suicides
An Eerie and Artless Enclosed World (Sekai 2) is written by Nisio, Isin, and it is the sequel to my favourite mystery novel ever.
When They Cry again, part 4
To end EP4, Time to theorise and deduce the solution to Umineko’s mystery as best we can. It’s the one thing we can only do at this precise juncture of the end of the Question Arcs.
